{"id":44,"date":"2013-08-30T19:34:04","date_gmt":"2013-08-30T19:34:04","guid":{"rendered":"https:\/\/davidmcdonnellmusic.com\/?page_id=44"},"modified":"2019-12-04T04:37:47","modified_gmt":"2019-12-04T04:37:47","slug":"c-v","status":"publish","type":"page","link":"https:\/\/davidmcdonnellmusic.com\/?page_id=44","title":{"rendered":"C.V."},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Dr. David McDonnell<\/strong><br \/>\n<strong> e-mail: david.b.k.mcdonnell@gmail.com<\/strong><br \/>\n<strong>davidmcdonnellmusic.com<\/strong><\/p>\n<p style=\"text-align: left;\"><strong>EDUCATION<\/strong><br \/>\n<strong>2012<\/strong> DMA (Music Composition)<br \/>\nCollege Conservatory of Music, University of Cincinnati<br \/>\nPrinciple Teachers: Joel Hoffman, Mara Helmuth<br \/>\nDissertation: An Uncertain Machine for Chamber Orchestra<br \/>\nCognate: Computer Music Programming and Psychoacoustics<\/p>\n<p><strong>2009 <\/strong>MM (Music Composition)<br \/>\nDePaul University School of Music, Chicago, IL<br \/>\nPrinciple Teachers: Kurt Westerberg, Juan Campoverde<br \/>\nThesis: The Use of Net-Structure in Ligeti&#8217;s Chamber Concerto<\/p>\n<p><strong>1999<\/strong> BM (Music Composition)<br \/>\nDePaul University School of Music, Chicago, IL<br \/>\nPrinciple Teachers: George Flynn, Kurt Westerberg<\/p>\n<p><strong>TEACHING EXPERIENCE<\/strong><br \/>\n<strong>2012-<\/strong> Adjunct Instructor of Music<br \/>\n<strong>University of Dayton, College of Arts and Sciences<\/strong><br \/>\n-Intro to Music Technology<br \/>\n-Recording Arts and Digital Media<br \/>\n-Fundamentals of Arranging<br \/>\n-Director: Dayton Lab Flyers Big Band<br \/>\n-Private Lessons: Jazz Saxophone and Composition<\/p>\n<p><strong>2009-<\/strong> Adjunct Instructor of Music and General Studies<br \/>\n<strong>University of Cincinnati-College Conservatory of Music<\/strong><br \/>\n-Experimental Rock<br \/>\n-Progressive Rock<br \/>\n-Jammin\u2019with Laptops<\/p>\n<p><strong>2010-2012&nbsp;<\/strong><br \/>\n<strong>University of Cincinnati-College Conservatory of Music<\/strong><br \/>\n-Applied Composition<\/p>\n<p><strong>2007-2009<\/strong><br \/>\n<strong>DePaul University School of Music<\/strong><br \/>\nMusic Theory Tutor<\/p>\n<p><strong>1999-2009<\/strong><br \/>\n<strong>Chicago and Chicago Suburbs<\/strong><br \/>\nPrivate Saxophone and Clarinet Instruction-Jazz and Classical<\/p>\n<p><strong>SELECTED COMPOSITIONS AND PERFORMANCES<\/strong><br \/>\n<strong>2014<\/strong><br \/>\n<em>the dragon and the griffin <\/em>\u2013 album of original jazz and chamber compositions.<br \/>\nReleased May 13<sup>th<\/sup> on New Atlantis Records.<\/p>\n<p><strong>2013<\/strong><br \/>\n<em>Spectrum of Error <\/em>for Computer and Gamelan Sounds \u2013 Nov. 24<sup>th<\/sup>, University of Dayton.<\/p>\n<p><em>\u00c6pse <\/em>for solo Cello and Computer \u2013 Nov. 14<sup>th<\/sup>, Constellation, Chicago, IL.<\/p>\n<p><em>In a Clearing <\/em>for Trombone, Vibraphone, Electric Bass and Computer \u2013 Feb. 16<sup>th<\/sup>,<br \/>\nCalifornia Institute of the Arts, Valencia, CA.<\/p>\n<p><strong>2012<br \/>\n<\/strong><em>the dragon and the griffin <\/em>for String Quartet \u2013 Recorded by Quartet Parapluie, November, Chicago, IL.<\/p>\n<p><em>Triangulum II <\/em>for solo Vibraphone \u2013 May, doctoral recital at CCM, Cincinnati, OH.<\/p>\n<p><em>East of Autumn <\/em>for Viola and Piano &#8211; May, doctoral recital at CCM, Cincinnati, OH.<\/p>\n<p><em>An Uncertain Machine \u2013<\/em>for String Quartet, Orchestral Winds and Brass, Percussion and Piano<br \/>\n\u2013 April, Caf\u00e9 MoMus Ensemble, CCM, Cincinnati, OH.<\/p>\n<p><strong>2011 <\/strong><br \/>\n<em>Rock Paper Scissors <\/em>for solo Soprano Saxophone and Computer<br \/>\n\u2013 November, N SEME, Peabody Conservatory, Baltimore, MD.<\/p>\n<p><em>Islands in a Sea of Light <\/em>for flute, Bb clarinet and piano<br \/>\n\u2013 June, Music 11 Festival, The Hindemith Centre, Blonay, Switzerland.<\/p>\n<p><em>Blossom Hunter 2 <\/em>for Trombone, 2 Double Basses, Marimba and Vibraphone<br \/>\n\u2013 March, California Institute of the Arts, Valencia, CA.<\/p>\n<p><strong>2010 <\/strong><br \/>\n<em>Ratio of Atmosphere <\/em>for Bb Clarinet, Viola and Piano<br \/>\n\u2013 October, Midwest Composers Symposium, CCM, Cincinnati, OH.<\/p>\n<p><em>My Dinner with a Spectrogram <\/em>an Audio\/Video composition for Computer \u2013 May, CCM, Cincinnati, OH.<\/p>\n<p><em>Looking at Wind <\/em>for Orchestra \u2013 January, CCM, Cincinnati, OH.<\/p>\n<p><strong>2009 <\/strong><br \/>\n<em>the time inside a year <\/em>for Vibraphone and Piano \u2013 July, Elastic Arts, Chicago, IL.<\/p>\n<p><em>5 pieces for Orchestra \u00ad<\/em>\u2013 May, DePaul University, Chicago, IL.<\/p>\n<p><em>Song of Overtones <\/em>for Computer \u2013 February, DePaul University, Chicago, IL.<\/p>\n<p><strong>2008 <\/strong><br \/>\n<em>Viola Solo for Stefan Wolpe<\/em> \u2013 May, DePaul University, Chicago, IL.<\/p>\n<p><strong>SELECTED RECORDINGS<\/strong><br \/>\n<strong>2014<\/strong><br \/>\nDave McDonnell Group: <em>the dragon and the griffin<\/em><br \/>\n-New Atlantis Records<br \/>\n<em>\u201c\u2026[McDonnell\u2019s] snaking postbop tunes streamline ideas from African Funk and post-rock<br \/>\n&#8230;His writing combines corkscrewing lines and rhythmic ferocity\u2026\u201d<\/em><br \/>\nThe Chicago Reader<\/p>\n<p><strong>2012<\/strong><br \/>\nDiving Bell: <em>Diving Bell<\/em><br \/>\n-Haze Label (Belarus)<br \/>\n<em>\u201c\u2026an excellent album of improvisations of saxophone and laptop that uses<br \/>\ntheir inherent dichotomy to work together rather than display their opposition\u2026\u201d<\/em><br \/>\nActs of Silence.com<\/p>\n<p><strong>2011<\/strong><br \/>\nHerculaneum: <em>UCHU<\/em><br \/>\n-Herculaneumsound.com<br \/>\n<em>\u201c\u2026all-for-one sextet from Chicago scrambling aspects of postbop jazz, minimalism,<br \/>\nrock dissonance and West African rhythms.\u201d<\/em><br \/>\nNew York Times<\/p>\n<p><strong>2010<\/strong><br \/>\nHerculaneum: <em>Olives and Orchids<\/em><br \/>\n-Herculaneumsound.com<br \/>\n<em>&#8220;&#8230; think of Charles Mingus, if he lived in the 21st Century.&#8221;<\/em><br \/>\nNPR&#8217;s All things Considered<\/p>\n<p><strong>2009<\/strong><br \/>\nHerculaneum: <em>Herculaneum III<\/em><br \/>\n-Clean Feed<br \/>\n<em>\u201c\u2026David McDonnell\u2019s alto sax can have a loose and outside sensibility, a bit like<br \/>\nsome of Steve Coleman\u2019s work.\u201d<\/em><br \/>\nCadence Magazine<\/p>\n<p><strong>2008<\/strong><br \/>\nIcy Demons: <em>Miami Ice<\/em><br \/>\n-Obey Your Brain<br \/>\n<em>\u201cIcy Demons may chug along to stoic kraut pulses and amorphous jazz jams, but<br \/>\ntheir sense of humor has always shone through.\u201d<\/em><br \/>\nPitchfork Media<\/p>\n<p><strong>2006<\/strong><br \/>\nThe Diminisher (David McDonnell solo project): <em>Imaginary Volcano<\/em><br \/>\n-Unsound Records<br \/>\n<em>&#8220;&#8230;engaging and gorgeously layered\u2026a remarkably organic and unified whole.&#8221;<\/em><br \/>\nTime Out Chicago<\/p>\n<p>Michael Columbia: <em>Stay Hard<\/em><br \/>\n-Alabaster Records<br \/>\n<em>&#8220;&#8230;delving deep into a loopy amalgam of avant-pop and rhythm-heavy krautrock.&#8221;<\/em><br \/>\nTime Out Chicago<\/p>\n<p>Herculaneum: <em>Orange Blossom<\/em><br \/>\n-482 Music<br \/>\n<em>&#8220;&#8230;blazingly original &#8230; a rare entity: a new group that seemingly arrives from nowhere,<br \/>\nfully formed with its own sound&#8230; one of the finest albums by an<br \/>\nup-and-coming ensemble one is likely to hear this year.&#8221;<\/em><br \/>\nAll About Jazz<\/p>\n<p><strong>2001<\/strong><br \/>\nBablicon: <em>A Flat Inside a Fog, The Cat that was a Dog<\/em><br \/>\n\u2013Misra Records<br \/>\n<em>\u201cSprawling, audacious but always intriguing\u2026\u201d<\/em><br \/>\nMojo Music Magazine<\/p>\n<p><strong>PROGRAMMING<\/strong><br \/>\n<strong>Max6:<\/strong> Developed a pitch tracking, interactive program, which creates an<br \/>\nenvironment for instrumental improvisation , called &#8220;Rock, Paper, Scissors&#8221;.<\/p>\n<p><strong>RTCmix:<\/strong> Author computer music scores in the MINC programming language, which<br \/>\nexplore psychoacoustic concepts and reproduce auditory hallucinations as<br \/>\ndescribed by researchers such as Diana Deutsch and Roger Shepard.<\/p>\n<p><strong>C++:<\/strong> Developed an algorithm which searches through the Fibonacci Sequence and<br \/>\nidentifies repeating patterns.<\/p>\n<p><strong>RECORDING<\/strong><br \/>\n-Served as staff recording\/mixing engineer at Shape Shoppe Recording Studio in Chicago from 2004 to 2007.<\/p>\n<p>-Use and teach with and the following softwares:<br \/>\nCubase<br \/>\nDigital Performer<br \/>\nPro Tools<br \/>\nLogic Pro<\/p>\n<p><strong>SELECTED RECENT PERFORMANCES\/PRESENTATIONS<\/strong><br \/>\n<strong>2014<\/strong><br \/>\n<em>Strategies in Computer Generated Music<\/em><br \/>\nPresentation\/Performance for the Visiting Artist Series<br \/>\nDePaul University School of Cinema and Interactive Media<\/p>\n<p>Album Release show for <em>the dragon and the griffin<\/em><br \/>\nThe Comet, Cincinnati, OH.<\/p>\n<p>Album Release show for <em>the dragon and the griffin<\/em><br \/>\nThe Hungry Brain, Chicago, IL.<\/p>\n<p><em>RTcmix Festival<\/em><br \/>\nGuest Speaker: presented work modeling auditory hallucinations.<br \/>\nCincinnati, OH.<\/p>\n<p><strong>2013<\/strong><br \/>\n<em>Athens Slingshot Music, Electronic Art and Tech Festival.<\/em> with Diving Bell<br \/>\nAthens, GA.<\/p>\n<p><strong>2012<\/strong><br \/>\nDiving Bell \u2013 Studio 300 Digital Art and Media Festival at Transylvania University<\/p>\n<p>Herculaneum &#8211; New York Winter Jazz Festival and subsequent tour: in support of UCHU<\/p>\n<p><em>E&#8217;s Circumstance &#8211; A Confessional tale for Soprano Saxophone and Chamber Orchestra<\/em><br \/>\nComposer: Dylan Sheridan<br \/>\nUniversity of Cincinnati &#8211; College Conservatory of Music<\/p>\n<p>Herculaneum &#8211; East Coast Tour: in support of Olives and Orchids<\/p>\n<p><strong>2010<\/strong><br \/>\nSolo Electronic Music Recital and performance of original Jazz compositions<br \/>\nElastic Arts Center, Chicago, Il.<\/p>\n<p><strong>2009<\/strong><br \/>\nMichael Columbia &#8211; Pitchfork Music Festival<br \/>\nChicago, Il.<\/p>\n<p><strong>RECENT AWARDS<\/strong><br \/>\n<strong>2011<\/strong><br \/>\nMusic 11 Fellowship Award: An international new music festival held annually<br \/>\nin Blonay, Switzerland.<br \/>\nServed as Audio\/Visual Engineer and Web Implementer.<\/p>\n<p><strong>2010-2012<\/strong><br \/>\nAlexander Zemlinsky Graduate Assistant Scholarship<br \/>\nServed as Administrator for The Alexander Zemlinsky Composition Competition<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dr. David McDonnell e-mail: david.b.k.mcdonnell@gmail.com davidmcdonnellmusic.com EDUCATION 2012 DMA (Music Composition) College Conservatory of Music, University of Cincinnati Principle Teachers: Joel Hoffman, Mara Helmuth Dissertation: An Uncertain Machine for Chamber Orchestra Cognate: Computer Music Programming and Psychoacoustics 2009 MM (Music Composition) DePaul University School of Music, Chicago, IL Principle Teachers: Kurt Westerberg, Juan Campoverde Thesis: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-44","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/davidmcdonnellmusic.com\/index.php?rest_route=\/wp\/v2\/pages\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/davidmcdonnellmusic.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/davidmcdonnellmusic.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/davidmcdonnellmusic.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/davidmcdonnellmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=44"}],"version-history":[{"count":57,"href":"https:\/\/davidmcdonnellmusic.com\/index.php?rest_route=\/wp\/v2\/pages\/44\/revisions"}],"predecessor-version":[{"id":462,"href":"https:\/\/davidmcdonnellmusic.com\/index.php?rest_route=\/wp\/v2\/pages\/44\/revisions\/462"}],"wp:attachment":[{"href":"https:\/\/davidmcdonnellmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}